Interviews

This August 30^th, Luis Tosar premieres 'Quien a hierro mata' (Eye for an Eye), the latest film by Paco Plaza, featuring Tosar as a complex character—which is, of course, his trademark—immersed in a spiral of vengeance against drug dealers in a drug-ridden Galicia.

In a move towards originality, the Thyssen-Bornemisza Museum reinvents the appeal of painting, bringing it closer to the charms of haute cuisine with a scrumptious art book.

With over 100.000 followers on Instagram and near 25.000 on Facebook, her fans discovered Elena Pancorbo’s art in the virtual realm. Publishing houses including Planeta, Penguin Random House, and Anaya have given it visibility in the real world.

We have a chat with Jorge Arévalo, without a doubt one of the most important illustrators in Spain today. Creative and multidisciplinary like no other, the Madrilenian combines his gorgeous illustrations with an analytical mentality and a great capacity to communicate, which he applies in projects for companies like BBVA and Cartier.

The fourth season of 'Cable Girls' starts, in September 1931,  with gender equality as a backdrop. The plot begins with Carlota –Ana Fernández’s role— running for mayor of Madrid, like Manuela Carmena did, only 90 years earlier.

He calls himself an agitator. What Asturian Rodrigo Cuevas wants and works for is a reappraisal of the values transmitted by Spanish folklore. And he does so sporting a provocative look combining tights, suspenders and his inseparable wooden shoes. Who said folklore has to be boring?