Literature

The writer brings back the crime of child killer Aurora Rodríguez Carballaira in ‘La madre de Frankenstein’, the new instalment of her series dedicated to the post-war era where the reader is submerged into the suffocating and chauvinistic Spain of the 1950s.

The author of 'La isla de los conejos' (Rabbit Island) took up writing to create worlds like the ones she encountered in her readings. Today, the unique universe of her short stories has become a complex scenery in which nothing is what is seems, in which the abnormal coexists with the quotidian. Come in and read. 

Immersed in an endless promotional tour, amidst talks and interviews, we stole some valuable time from writer Irene Vallejo, author of El infinito en un junco [The infinite in a Reed], to chat about the pleasure of knowledge, reading and the art of lending books, the best way, according to her, to get rid of them.

A book bound with a stippled cover. A photo diary by a band on tour in Mexico. A poetry book devised as a Duchampian readymade. A selection of books turned into a pictorial artwork by a plastic artist. The Caniche publishing house sees publishing as a space of freedom and adventure, in which each project follows its own rules.

The author of the award-winning novels 'Los Baldrich' (FNAC Talent 2009), 'Los buenos amigos' (Premio Ojo Crítico 2012) and 'El año en que me enamoré de todas' (The Year I Fell in Love with Them All), a book that earned him the prestigious Premio Primavera de Novela 2013, returns to bookshops with a story about memory and forgiveness.

Agustín Fernández Mallo has been translated into more than ten languages, which is clear evidence of the relevance of his work. Last year he published two new major books: the novel 'War Trilogy', which won the Premio Biblioteca Breve, and the essay 'Teoría general de la basura' (General Theory of Rubbish: Culture, Appropriation, Complexity), a fiction book and a non-fiction book respectively in which Mallo, a flag bearer of the Nocilla Generation, expresses his personal vision of history.