Interviews

Twenty years ago, Ana Laura Aláez turned the art circuit upside down with an installation that consisted of creating a night club inside a national museum. Now established as one of the key voices of her generation, the artist who made orthodox critics feel very uncomfortable in the 1990s once again delights us with an exhibition that traces her entire career and starts a dialogue with the spectator about the possibility of what could have been.

His work reached the masses through the cover of a C. Tagana album. Nevertheless, ‘hyperactive’ Carlos Fernández-Pello has been on Madrid’s artistic scene for years, both as an artist, teacher, editor and commissioner. We dive into his workspace to discover the practice of this millennial artist first-hand, who in just a few years has won over the art masters.

They emerged under ARCO, but in the last few years, these fairs have come into their own. During Art Week, Madrid hosts a steady stream of fairs for all audiences, tastes and pockets. Whether you like illustration, urban or contemporary art, you have a date in the capital of the kingdom.

She conceived ARCO, as well as many of the great contemporary art exhibitions that have been shown in Spain over the years, from Sol Lewitt to David Hockney to Andy Warhol. We are talking about Juana de Aizpuru, a gallery owner and art collector —regarded today as an iconic figure in Spanish culture — who, in the midst of the political transition, endeavoured to introduce Spain into the international art scene. 

Madrid-born dressmaker has reached a hegemonic position in Spanish fashion thanks to volume, a key element in 20^th century Spanish design that is present in all his clothes. 

Based in Valencia and Barcelona, ​​the Espai Tactel art gallery has worked as a platform for avant-garde contemporary art since 2013. Among their proposals, which in recent years have been showcased in the world’s most important art fairs, are 3D installations, net narrative, and digital art.